Monday, 1 March 2010

not enough

...

NOT ENOUGH

Hours in the day to think in

Days in the week

Days in the month

Weeks in the year

Not enough time to think in

...

Sunday, 28 February 2010

POETRY TRIED TO KILL ME...

...

Well not so much kill me as

make sure I never lived

which is pretty serious

And me I’m

taking it personally

…

I’ve never had any relationship with proper poetry

That world of books

those bleak shelves of flat oblongs

Its always seemed such an appealing world

With such unimpressive and unappealing people

That I couldn’t be bothered

…

I mean

no-one does anything

Hardly anyone makes a living from it like, say,

I do from performance poetry

Its all teaching and grants and editorships and prizes

Given each other by a insidiously incestuous bunch of mates

The sales are abject

Embarrassingly feeble for a medium which,

because of its shortness

should be perfect for this age

if only it would free itself from the

aesthetic and professional

prisons of the past

the archaic forms

the do’s and don’ts

the ivory towers

the eternal bunch of self-serving mates

the mouldering puny establishment

…

A gang of public-school types

A cliquing claque all convinced they’ve got the ball

They are the ball

Yet all they do is run off and sit in a

shadowed corner being very

pleased with themselves that

They’ve got the ball

They are the ball

Though it’s a battered and ragged ball

Lacking the air and roundness

The bounce

That makes any functioning ball a, well, a ball

…

While performance poetry is a considerably more dynamic medium

Its always right here right now

Where, if you throw yourself at it

And always believe you have much more to learn,

Doable

Liveable

…

But I can think of a more human reason why I’ve never wanted anything to do with it

It tried to kill my Dad

Cos my Dad spent the war in Slough

His Dad was a policeman and air-raid warden

And Slough was bombed a fair bit

German bombs killed people in my Dad’s very street

While he was there

Which is close

…

And a few years before that

John bloody Betjeman wrote that poem

Come friendly bombs and fall on Slough

And you know what?

They did

So Betjeman

And therefore poetry

[he was laureate at one stage]

Tried to bomb me into non-existence

…

Maybe the Germans heard him

Maybe he put Slough on the map

I doubt it, but

Whatever, he did his best to get it bombed and me

I’m taking it personally

Mind you

I’ve always quite liked Betjeman

The Cockney Amorist in particular

He was what he was

And I also like the fact he liked and admired the modernists

And got what they were trying to do

But it wasn’t what he did

Or wanted to do

So he kept getting better at what he did best

…

…

I got put me off the whole Arts Professional milieu forever

A horrible experience at an

Arts Council live literature meet

in Manchester in 99

Come to think of it, it rather blew off track my enthusiasm for performance poetry for a while

…

Those ghastly arts professionals who didn’t know

Who didn’t care that they didn’t know

Why was I expending so much energy to get into a world at least in part inhabited by those horrible people?

The small-minds and the snobs and their elevated nostrils?

Why?

Suddenly I

didn’t know the answer

…

I’d been running a really rather good poetry cabaret weekly in London for five years

Busting a gut, burning my head, fraying my nerve-ends and generally having a slightly wonky good time

Plus, I was the only person capable of running a poetry cabaret in Edinburgh at the time

The only successful one in decades

Apples and Snakes, the estab, had just abjectly, laughably failed

and yet a number of those careerist arts professionals

their nostrils in the air

wouldn’t even talk to me

…

and yet their only function that I could see was to receive pay cheques

so other arts professionals could persuade themselves they were doing something

and receive pay cheques themselves

…

One of them was so self-important she even refused to read my press pack

Full of more juicy press quotes than many established poets and performance poets have ever had

And she refused…

I was some street-level schmuck and she was in the rarefied air of the litfests

…

the funding people, arts council, were far less awful, they would at least listen

it was their job to

and they did

And I returned to London rather shattered by the whole immiserating event

Thinking, this is the world I’m supposedly moving in to and

Its hideous

I want none of it

...

fortunately i moved to Scotland and didn't have to bother with any of them

...

Saturday, 27 February 2010

look on the bright side

...
its a full sun
...
...

ungood morn

...

A morning gone so ungood

...

We still have colds

Worse than yesterday

Which is annoying after 10 days

Plus the travel shop has disappeared

And the one i found after too much walking in the hot sun

Was first a pain-in-the-butt rip-off joint

And second had a powercut so have to go back for ticket

And third i cannot work out if we need US dollars to buy our Nepalese visas at the border

Every version differs

Then the bookshop we pilgrimmed too was crap

...

All in all, a morning gone so ungood i hesitate to sit in front of this screen

Because it seems too likely a

large fist will burst out of it and wallop me on the nose

...

You know that Bob Dylan line?

This telephone was ringing

It just about blew my mind

When i picked it up and said hello

This foot came through the line

...

That’s Bob Dylans 115th dream

My favourite Bob Dylan song

And the origin of much performance poetry

Johnny Clarke must know it very well

On the other hand

Lyrically its fairly Chuck Berry

Who i reckon is the chief origin of Bob Dylan’s verbal humour

Subterranean Homesick blues is Too Much Monkey Business on amphetamines

And Chuck Berry and Bob Dylan are where i start...

...

In the mean time i’m going back to a darkened room to lie on the bed so nothing bad can happen beyond the demise of the British Empire in The Last 1000 Days Of The British Empire

Which is OK, in fact good

O perfidious washington

Friday, 26 February 2010

haiku

on sunset’s river

leafy branches drift to the sun

the wreaths of the day

H&S

...

I wonder

do Health and Safety inspectors ever

come on holiday to India?

do they?

or is it one of the worst mistakes they could possibly

possibly make?…

would they have a rapidly concatenating

personal crisis

culminating in a

nervous breakdown?

...

Where do they for a holiday?

Zurich?

Singapore?

Copenhagen?

...

...

varanasi still

i love this place

alot

boats on the river watching the daily puja ceremony just after

morning rooftop coffee before the river and the low sun

strolls up the ghats

loads of work to do

so much i look forward to going to bed so i can get back into it

aaaah bliss

what a place?

...


Thursday, 25 February 2010

ONE MAN RIOT

...

I have a script

I have a show

Its unlike anything i’ve done before

Firstly, its a story

so its storytelling, which is new to me

And also, its about me

...

I thought i’d be doing a show of ten or so new performance poems

and i have enough i like at this stage for

a show i like a lot

to be well doable come June

But i’ve kept coming back

And coming back

And coming back

To a thing i wrote five years ago in France,

Dec/ Jan 04/05

About something that happened to me in 1990 at the Poll Tax Riot

And its a story, a ghost story in fact

So i have to learn some new skills

Storytelling

Which is a different ballgame to performance poetry

Though less technically demanding than any show i’ve done before

[unless it gets hyper-theatrical, which it might]

But which is story led

When everything i’ve ever done has been writing led

And its now Late Feb

Meaning i have 14 weeks to get it right

To get more gags in

And work out the physicality

Will premiere it in Edinburgh in late May

And 14 weeks is a long time

Long enough to get consummate at new-ish skills

To come up with a number of decent gags

And easily enough to iron out the many kinks in the tale

If i work hard enough

very hard

hundreds and hundreds of hours hard

...

Plus its about me

When very little i’ve done has been about me

Some have been about a kind of caricatured me

But nothing like so personal

…

Back in Sept I showed it to TJ Dawe

and Jonno Katz

and Rob Gee

And they all said, you gotta do it

So here we go

My only regret is that, if I do a show next year of performance poems

It will have been a way too long, 4 years since I did a show of new pieces

…

The romping success in 2008 was one monster poem about shopping

Biggest show on the whole fringe tour

2009 was my misguided Greatest Hits show

So, with a story this year, I don’t do a show of new poems till 2011

And, more than anything else, I am a performance poet

And 4 years is a long time

…

Whatever, that’s it

This is it

The new show

ONE MAN RIOT

Here we go...

...

trepidatious excitement

cautious glee

One-Man Riot

,,,